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Found 26 results

  1. Vieri

    Poggio Covili sunrise, Tuscany

    A serene and spectacular sunrise at Poggio Covili, created during a Workshop One-on-One I led in Tuscany (Italy) in November 2017. Leica SL, Vario-Elmarit-SL 90-280 and the wonderful Formatt Hitech Filters. Thank you for viewing, best regards Vieri
  2. Vieri

    Bat's Head sunset

    Bat's Head, taken at sunset last February during a Workshop I led in Dorset, UK. Leica SL, Leica Vario-Elmarit-SL 24-90mm and Formatt-Hitech Firecrest Ultra filters. Thank you for viewing, best regards Vieri
  3. Vieri

    Frozen Falls, Iceland

    Frozen Falls, taken one year ago at Kirjufellsfoss during a Workshop One-on-One I led in Iceland. Leica M10, Voigtlander 10mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  4. Vieri

    A different Vestrahorn Sunset

    Sunset at Vestrahorn, in Iceland, a location offering much more than the famous mountain’s silhouette to those willing to explore it. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest Ultra filters. Thank you for watching, best regards Vieri
  5. Vieri

    Jokulsarlon sunset

    Being away from home for 1.5 months now, leading Workshops non-stop since September! Today we were talking with the guys about Iceland's cold vs Scotland's cold, and this image came to mind. Jokulsarlon at sunset, taken in December 2017 with Leica SL, Leica Super-Elmar-M 21mm and Formatt-Hitech Firecrest Ultra filters. Thank you for viewing, best regards Vieri
  6. Last light at Kimmeridge Bay, in Dorset. I truly love exploring and photographing the ledges at Kimmeridge for detail work, they are so inspiring and I find them always rewarding, with almost any light. I took this photograph during a Workshop One-on-One in Dorset I led in October 2017. Leica SL, Voigtlander 15mm and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
  7. Vieri

    Misty morning in Tuscany

    A couple of days ago, during the Workshop I am leading here in Asturias, we were talking about Tuscany and its amazing landscapes: I immediately started thinking about the beauty of this land in the fall, and realised once more that I can't wait to be back there very soon! This is Val d'Orcia, photographed during a Workshop I led there in November 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and Formatt-Hitech Firecrest filters. Thank you for viewing, best regards Vieri
  8. Vieri

    Sunrise above Stair Hole

    Sunrise above Stair Hole and Lulworth Cove, in Dorset (UK). It takes a short climb in boggy grounds to get above Stair Hole, but witnessing the sun rising and the landscape revealing itself from the darkness from up there is pure magic. Seeing the smile and the excitement on my Workshop's participants' faces when the sun appeared made the climb 100% worth! Leica SL, Voigtlander 15mm and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  9. Vieri

    Crumbling Cliffs at sunset

    The Crumbling Cliffs at Valahnukamol in Iceland are a wonderful source of inspiration, and I love to explore them to find cracks with shapes complementing or mirroring the sea stacks and the clouds. Taken at sunset during a Workshop One-on-One in Iceland in February 2018 with my Leica SL, a Voigtlander 15mm and my Formatt-Hitech Firecrest Ultra filters. Thank you for viewing, best regards Vieri
  10. Vieri

    Corfe magic

    One magic morning in Dorset (UK), working on the silhouette of Corfe Castle, with the sunrise light scattered by the mist. Leica SL, Leica Vario-Elmarit-SL 24-90mm @ 27mm and Formatt-Hitech Firecrest Ultra filters. Thanks for viewing, best regards Vieri
  11. Vieri

    Reynisdrangar in winter

    Iceland in winter is amazing, looking for ice and snow patterns on the black sand at Reynisdrangar is extremely inspiring and makes enduring the cold definitely worth it. We had a great time during my Workshop there last February! Leica SL, Leica Vario-Elmarit-SL 24-90mm @ 24mm and filters Formatt-Hitech Firecrest Ultra. Thanks for viewing, best regards Vieri
  12. Vieri

    A magic Tuscan sunrise

    The magical atmosphere of a Tuscan sunrise, taken during a Workshop I led in Tuscany in November 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  13. Vieri

    Durdle Door, doubled

    The amazing Durdle Door at sunset, taken during a Workshop I led in Dorset (UK) last February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  14. Vieri

    Morning mist, Tuscany

    Feeling minimalist today: "Morning mist", taken during a Workshop I led in Tuscany (Italy) in October 2017. Leica SL, Leica APO-Vario-Elmarit-SL 90-280mm and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  15. Vieri

    Sunset in Badwater

    Sunset in Badwater, a 2-minutes exposure taken in Death Valley (CA), USA, during a workshop I led there last winter. Leica M10, Voigtlander 15mm Super-Wide Heliar, filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  16. Vieri

    Ledge at Kimmeridge Bay, Dorset

    Ledge at Kimmeridge Bay, a sunset image taken during a Workshop I led in beautiful Dorset (UK) in spring 2017. Leica SL, Voigtlander 10mm Hyper-Wide Heliar and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  17. Vieri

    A Kimmeridge Sunset, Dorset

    A Kimmeridge sunset, a long exposure detail on the inspiring ledges at Kimmeridge Bay, taken during a Workshop I led in Dorset (UK) in Spring 2017. Leica SL, Voigtlander 15mm v. III and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  18. Feeling minimalistic and black & white today. "Neist Point sunset", on the Isle of Skye (Scotland), taken during a Workshop I led on the Isle in Spring 2017. Leica SL, Voigtlander 15mm Super-Wide Heliar v. III and filters Formatt-Hitech Firecrest. Thank you for viewing, best regards Vieri
  19. Vieri

    A Tuscan sunrise

    A Tuscan sunrise, taken during a Workshop I led in Tuscany (Italy) in November 2017. Leica SL, Leica APO-Vario-Emarit-SL 90-280mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  20. A bleak and beautiful winter sunset at Reynisdrangar, taken during a Workshop I led in Iceland last February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  21. Vieri

    Majestic Vestrahorn at dusk

    Vestrahorn at dusk, a long exposure taken just before one of my Workshops One-on-One in Iceland last February. Leica SL, Voigtlander 15mm v. III and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  22. Iceland is so amazing, landscapes and geology are unforgettable, but what makes all the difference is the light - it's just spectacular, and unlike any other light I have ever worked with. This is Reynisfjara Beach at sunrise, taken during a Workshop I led in Iceland last February. Leica SL, Leica Vario-Elmarit-SL 24-90mm and filters Formatt-Hitech Firecrest Ultra. Thank you for viewing, best regards Vieri
  23. kristian skeie

    Bhutan Workshop

    Hello everybody, here is a little note about a trip that I am organising. This is not linked to "Fotozones" and is something I run as part of my work. I had a chat with Dallas via email before posting this. Anyway, on August 12th I am off to Bhutan with a small group for a one week photo adventure, let me know if you would want to join! (PS photo's on the flyer are from the Bhutan tourist authorities....) "Set out into the kingdom of Bhutan to shoot images of its welcoming people, exquisite temples, timeless farming villages, and the towering Himalaya. Capture scenes from a lively market or crimson-robed monks against a backdrop of whitewashed dzongs. Capture the spirit of happiness in the smile of kids, in an archery game and the celebration of ancient ceremonies. Practice your photographic skills while learning about Gross National Happiness and discovering this breathtaking country" Practical info: Dates August 12-21 2014 (including travel time 1 week in Bhutan). Price 2,445 Euros ( includes hotels, meals in Bhutan, English speaking guide, all road transport, all activities and visits, poverty alleviation fee as well as visa. Group size 5-8. Flights are extra (economy flights would cost around 1.200 euro in addition if travelling from Switzerland). We will be able to help with organising all flights. Should you want too spend more time in Bhutan in addition to the workshop time, we can organise that too. Deadline to register: June 20th 2014 on info@butanexclusivo.com or kskeie@gmail.com
  24. black_bird_blue

    UK Workshop Success!

    I'm just back from the first UK Workshop at Cannock Chase and I'd like to open this thread to encourage all the participants to post their achievements and impressions. When Bjørn first suggested the idea of local workshops I was an enthusiastic responder since I have enjoyed his laconic, thoughtful and erudite writings for many years, first at naturfotograf.com and then here at Nikongear. The Forestry Commission have a small but perfectly formed facility at Cannock Chase with two classrooms and, of course, acres of managed forests in which people from near and far frolic. The manicured and managed nature of the forest made Bjørn shudder when he first arrived but he got over it to deliver a seminar that wandered and meandered its way through some fantastic material. It was partially shaped by Bjørn's vision of what photography really is, and partially shaped by questions from us all - "Ask ten times more questions than you intend to, to get one good answer" was the opening directive. Aspirations at the start of the seminar ranged from detailed exposure questions to "a desire for more vision" and included at least one "whatever I can get from it". Although the size of the group was modest, the demands on Bjørn seemed very wide. Bjørn's introduction of himself included his description of "an inner urge to make - not take - a photograph" and set the scene for an experience that was a far from formulaic as it is possible to be and was in fact as broad as we had the courage to receive - and sometimes broader. "The very fact that you are at a place changes that place" was one pearl dropped before us. "Like and dislike is a very poor way of thinking of photography; it's lost all sorts of subtle shades" was another. What I came away with was not someone else's rules about what photography should be, but the confidence - no, the mandate - to assemble my own vision on a case-by-case basis. What an astonishing achievement in such a short space of time! Feedback on the workshop was warm and generous. In particular the choice of location, which was initially regarded as a source of difficulty/disappointment due to the high preponderance of bracken, bracken and more bracken was cited as a source of the most profound learning, since it needed a great deal of creativity and imagination to see beyond the obvious - a creativity that was present in spades during the final challenge of the workshop. There is a dedicated gallery for the workshop available and I will be adding my images shortly when I work out how! Damian
  25. So, post Herdla I thought I would try and summarise the learnings from this first event. As with previous experiences, I found Bjørn took on the role as inspirator and not teacher. His laid back, but razor sharp observation style let us, the “students”, relax, enjoy, appreciate and expoit the vast amout of skills and experience Bjørn has to offer. But, do not expect a free ride. Expect to be challenged. Although photography to a large extent does involve cameras and associated gear, I for one really appreciate the photographic challenges he put upon us, ridding us from the technological side of things. This is a well balanced act on Bjørn’s part, which, given the constellation of the group, certainly could have resulted in a less successful outcome. Reminding us to see photography as a process of seeing and how we approach it. Think outside the box and become interested, see the truth, everything can be subjected and therefore also photographed. I think these are wonderful words that will stick with me forever. Would I attend another workshop with the Bear? Absolutely. Try it – you will be amazed.
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