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Last weekend I was cleaning the little X100 and experimenting with some of the settings, specifically trying out the back button focus method. I must have done something else wrong because during the course of the week I was using the camera on a couple of lifestyle shoots for the real estate work I do and I was getting wildly off exposures. It would either be way over or way under. This was obviously quite distressing because I have (as you probably already know) become quite attached to this camera that Alan gifted me. I have read about the sticky aperture blades (SAB) problem that some early X100's had and my immediate thought was that somehow this had affected my X100, even though it is not in the serial range that apparently some of the affected units were in. This afternoon I thought I would check out what was going on, so I had the camera out and was checking all the settings. If I pointed the camera at a bright light source it would sometimes get the exposure right, but then in the next shot it would be off badly. This was happening at all apertures. At this point I was really despondent and I was almost certain that I had the dreaded SAB problem. I then had a look at the front of the lens to see what was going on and I could see that the aperture was definitely moving and it wasn't stuck, but it wasn't behaving normally at all. If I pointed the camera at a light source it would stop all the way down and then open up as I was moving it around. So definitely not sticky aperture blades. But then why was the exposure so erratic? And why did the aperture move even when I wasn't taking a shot? Much head scratching. The only settings I had changed was the AF-S to M mode, which is a physical button, but something else must also be off. So I thought, let me try and see if the built-in flash would give me a decent exposure. Pushing on the flash activation part of the rear dial displayed a message, saying that I needed to turn off the silent mode (which I don't recall setting to on), so I did this and then took a few flash shots. No problems at all with exposure. As it turns out I had somehow put the camera into silent mode, which seems to invoke an electronic shutter that is only functional under certain settings. Normally I don't have any noises turned on, but the X100 would still use the mechanical leaf shutter. Needless to say I am mightily relieved! And to celebrate I am having some SAB (South African Breweries) of my own. Photo with the X100, of course.

I'm a huge fan of being able to create film simulations with the Fuji JPG engine. This one is from FujiXWeekly.com. Ritchie over there is creating some great film simulations. I've create a few of my own as well (monochromes) and will share some of those later. The Recipe: Kodak Tri-X 400 Film Simulation: Acros+G Dynamic Range: DR200 Highlight: 0 Shadows: +3 Noise Reduction: -4 Sharpness: +1 Grain Effect: Strong, Large ISO: Auto 1600+ Exposure Comp: +1/3 to +1 Clarity: +4 White Balance: Daylight, +9R, -9B Color Chrome Effect: Strong The Location: Forest Lawn Cemetery, East Side of Columbus, OH - Looking for a place to walk and snap some pictures. The Work: 1 2 3 4 5 6 7 8

Let us rewind to the analog film days of photography. The 35-50mm taking lenses were kings of their era and were present to almost every manufacturer systems offered. Their maximum aperture were ranging from a modest F3.5 to an astounding F1.2 if you were able to afford it. With the introduction of electronic autofocus and motorized cameras they were replaced by a plethora of different trans-standard zoom lenses from the cheapest ones to the expensive "pro" such as the 24-70mm F2.8. And that tendency has been replicated right from the start of the digital cameras era. With an angle of view of 63 degrees the Fujinon XF23mm F2 R WR can be assimilated as a "eye-normal" standard lens although for some their opinion is that this Fujinon model is a bit too wide to be classified easily in that category. Its close focusing ability is good and this caracteristic contribute largely to its versatility. It is not a (head) portrait optic but surely you can work full body view portrait with confidence and proximity of your main subject. The Fujinon XF23mm F2 R WR lens is a useful "interior" lens providing you are not looking for a very wide view (the Fujinon XF16mm F2.8 or XF10-24mm F4 R OIS lenses for example should be more interesting choices in that case). For sure in some narrow contexts you will need to contorsion yourself to embrass the whole subject. Because of its reduced size, this Fujinon XF23mm f2 R WR is a discrete optic and more if it is coupled with a Fujifilm X-E or X-M series camera body. This particular nature will be fully appreciated if you doing street, travel or casual photography in giving you the possibility to be more spontaneous in your activity. We cannot escape the (Leica) Summicron lens series analogy even if we are speaking of two very different lines of optics especially considering the electronic involvement into the Fujinon X-series. The two control rings of the Fujinon XF23mm F2 R WR allow you to select your aperture and adjust your focus manually if needed or hoped. In the case of the aperture it is handy to be able to better control the deep of field of your subject and also with the focusing ring have the capacity to choose the optimal focus point. The Fujifilm lens hood furnished with the lens is small and none-protuberant (You can leave on almost permanently except if you intend to use optional 43mm screw-in filters). What about the optical quality image output of the Fujinon XF23mm F2 R WR lens? Suffice to say that I cannot see any noticeable (for me!) between this optic compare to the others Fujifilm XF series lenses. To be more reassured you can consult the numerous technical tests over the web. But in my sens the best way of evaluating a lens for your specific needs is to take pictures with it. It can fit or not your style of photography and respond accordingly to your specific technical way of taking pictures. In some countries Fujifilm offers "try and test" session or even loan programs to do so. So the Fujinon XF23mm F2 R WR lens is it for you or not? That is the big question. Focal fixed lenses are optics that are asking a photographer adaptability to be ensure their complete useful. So your mobility is a key point of success when you intend to select that category of optics. If you feel better and confortable to work from a fixed point of view and reframe with a variable focal zoom lens that can be a big issue. On the contrary if you are a kind of "active" photo takers this Fujinon XF23mm F2 R WR can be be an creative and easy manageable answer (as for all the others focal fix Fujinon lenses). A few years ago I was discussing with Billy Luong of Fujifilm Canada about the possibility of creating a king of "bridge" new lens between the existing XF27mm F2.8 and the expensive XF23mm F1.4 R model and I have noticed his smiling facial expression at the moment. Less than one year after this conversation the new Fujinon XF23mm F2 R WR was introduced on the market. Additionaly the Fujinon XF 23mm F2 R WR is now offered as a complementary ("kit") lens combined with various camera body models at a very competitive price point. For many photographers it could a very wise and rewarding choice... View full article

I've got a long love affair with the original rangefinder cameras (Leica M4-P & M6) and the now digital rangefinder style cameras (Fujifilm X-E2, X-E2S & X-E3). I don't know if it is due of the fact that their viewfinder is located off center (meaning not in the same optical axe of the picture taking lens). But that peculiar camera body design seems to stimulate my creativity and my motivation to brought the camera in places and at moments that I will have a tendency to ignore. The Fujifilm X-E3 is the fourth version of a popular model design that many photographers like to bring with them as their main camera or at least as their back up camera body that happens to becoming eventually their most used. The X-E3 is using the same 24MP image sensor that the X-T2 and the X-T20 have. So the picture quality is at par of the two last mentioned models. One of the thing which most interesting when you are using a rangefinder style digital camera is the fact that they are less noticeable, less protuberant, less intrusive in front of the subject.. This characteristic to be more discrete is always appreciated by the spontaneous photographer on the street, during a travel and even when you taking a candid portrait of a person (The camera seems to be less "serious"). Many people were tempted to make the comparaison with the Fujifilm X100F which a compact APS-C digital camera doted with a similar fixed lens of 23mm. If you combine the Xf23mm F2.0 lens with the Fujifilm X-E3 the two cameras will give the same angle of view. But the Fujifilm X100F is more a (large) pocket camera while the Fujifilm X-E3 is an interchangeable lens model that have a more standard dimension. Fujifilm X-E3 w/ Fujinon XF55-200mm F3.5-4.8 R LM OIS Most people will talk in length about the good or the bad handling of a camera model. It is always a very personal and intuitive impression at the end. Ergonomics are designed by technicians that are biased by their own physical and cultural differences. All this has been said one thing that I have experimented with the Fujifilm X-E3 is its fine ergonomic in terms of the camera body and lens combination and I am surprise how good and easy it is still true even when you are using a larger zoom lens such as the Fujinon XF55-200 F3.5-4.8 R LM OIS. As a travel or street photographer I fully appreciate this ability. About the tiny Fujifilm EF-X8 electronic flash which is included with the furnished camera accessories I was skeptical of its practical use but I have found it very easy to bring with me and positioning on the X-E3 (You can leave it at rest on the Fujifilm X-E3 camera at its down off-position). Dont forget that the EF-X8 is using the battery pack power of your camera. As a fill-flash and as an emergency flash unit are may be the two best tasks of the EF-X8. For a more extended use of an electronic flash it is better to couple an external unit doted with its own power management. Window back lightning interior ambiant light exposed Using a fill-in flash can be one of the most rewarding thing to do with interior photography with subject that are backlighted during the daylight period. The color temperature is similar between the ambiant natural light and the electronic flash output and the only big task is to choose an interesting exposure balance between the two in preserving or not the shadows or even simply voluntarily underexposure the ambiant (effect often use in fashion photography). Using the Fujifilm F-X8 as a fill-in flash Small in-board camera flashes are a very handy solution but they are located usually too near the taking lens and often interfering with the lens hood that you have to remove to prevent incomplete flash coverage. The Fujifilm EF-X8 give a more elevated flash reflector position. You just have to push it in its down position if you want to shut its power off. Officially the Fujifilm X-E3 is a less "sporty" camera model than let's say the X-T series models such as the X-T20 or the X-T2 or even the X-H1. The off-center viewfinder may create a small different perspective between you naked eye and the image recorded by the taking lens but if your concentrate your attention to your viewfinder it wont be noticeable. So spontaneous photography stay a strong opportunity. As for most of the Fujifilm X-series camera models, the controls of the photo basic parameters are designed in a similar fashion way as it is used to be for the traditional analog (film) cameras. Shutter speed, lens aperture, exposure correction and focusing options including manual adjustment can be selected with direct dials or control rings. The others parameters have to be adjusted through push buttons, touch screen options or using the versatile joystick located beside the rear screen. All these functionality controls need to be learn before really be able to master them without hesitation. Using the Quick menu (Q) and reprogramming certains function controls can facilitate the handling of the Fujifilm X-E3. Most of the menu option presentations are easy to understand and interact but some functionalities may need more time and essaies to get the habit. There is a lot of autofocusing modes at your disposal that can tailored your shooting workflow. The all-"AUTO" option (lever next to the shutter speed dial) is a good idea for emergency snapshot without disturbing your already programed setting. The electronic viewfinder (EVF) is fine detailed with all the (configurable) information you need and got an auto-rotation presentation very useful for vertical framing. In some specific situations the image on the EVF will be more contrasting making more difficult to evaluate low and highlights. For people who are wearing glasses like me the eye relief is more limit and will ask you to pay more attention to the corner of your framing composition of your subject. The back and none-orientable live screen (LVF) give you a better reviewing rendition of your picture facilitating a deeper image analysis. The side location of the Fujifilm X-E3 electronic viewfinder may give you a better viewing confort compare to the centered viewfinders of the X-T series models. The instant picture review is easier and the reviewing (Play) push button is located on the bottom right side of the LVF. In all the Fujifilm X-E3 is a very convenient camera model that respond correctly to the compact size device but without sacrificing too much better handling compare to the larger DSLR model type. If you are already an owner of other Fujifilm X-series models you will fully enjoy that the X-E3 is using the same battery packs and external electronic flashes without forgetting that it is part of the same optical lens mount system. The Fujifilm X-E3 doesn't have an in-(camera)body-image-stabilization system (IBIS) and will rely on your ability to set and handle the camera to avoid generating blurry from the photographer's movement. Of course you can couple a lens with an optical image stabilization (OIS) that will help you to prevent that phenomena and further permit you to select lower shutter speed in low light situations or simply to get a smaller lens aperture (for increasing the deep of field). As a loosely rule of thumb, no stabilization is available with focal fix lenses (except for the new XF80mm F2.8 OIS Macro and the XF200mm F2 OIS) and it is the contrary with zoom lenses (with some noticeable exceptions such as the XF16-55mm F2.8 Pro). At this day the Fujifilm X-H1 is the only X-Series model equipped with an IBIS. What I am appreciated the most of the Fujifilm X-E3 is its compactness and its very discrete status in regard of other people ressent when they are facing the camera. It is what can call not only a user-friendly camera but also a subject-friendly photo device. Combined with a short fixe focal or short zoom lens, the X-E3 appears to be part of the family. It is not perceive as an agressive intruder of our life compare to the look with the DSLRs. So the interaction between the photographer and the subject is very different and much more positive. If you like Black & White photography you will adore to work with the Fujifilm X-E3. This lovely camera model offers you a choice of two monochrome reddition, standard Monochrome and Acros, with 3 different filtering variations, Yellow, Red or Green. So you can literally transform the X-E3 as a Monochrome camera without further expensive investment. (This remark is also good for the other Fujifilm models). Is it sufficient to simply have a good camera device that can deliver not only nice, well exposed and focused pictures but which is also a creative tool fun to use and to bring with you? Sure there will always be more performing camera models now and in the future and that is inevitable in this race for better human crafting. But in the mean time we have not to forget that the most interesting and rewarding think is to do photography. In a sense the Fujifilm X-E3 fulfill nicely the task of proximity photography essential in close urban situations or in interior contexts. The Fujifilm X-E3 is a compact photo companion that is not only a competent tool but is also an inspired creative device. View full article

I thought all the big events were over and done with but there has been a barrage of new products in the last few days - all mirrorless ! first a new Nikon Z Lens; a new Canon R body plus a slew of R mount lenses previewed and a new body and lens from Fuji. There was also a Panasonic announcement a week or two earlier.

The lenshood you see in this photo is a replacement for the Fuji offering that I don’t like. It is solid aluminium and a 52mm screw thread, the cost of this hood shipped from China including P&P ordered though Amazon was £2.63, hence my use of the word bargain.

Fuji continues with its updates - new AF tracking algorithm, and compatibility with the new Fujfilm X Raw Studio in-camera raw processor with tethered computer interface. http://www.fujifilm.com/support/digital_cameras/software/firmware/x/xt2/download.html