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The Fujinon XF23mm f/2.0: The Close Observer Lens


danielm
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Let us rewind to the analog film days of photography. The 35-50mm taking lenses were kings of their era and were present to almost every manufacturer systems offered. Their maximum aperture were ranging from a modest F3.5 to an astounding F1.2 if you were able to afford it.

 

With the introduction of electronic autofocus and motorized cameras  they were replaced by a plethora of different trans-standard zoom lenses from the cheapest ones to the expensive "pro" such as the 24-70mm F2.8. And that tendency has been replicated right from the start of the digital cameras era.

 

 

 

DSCF1174.jpg

 

With an angle of view of 63 degrees the Fujinon XF23mm F2 R WR can be assimilated as a "eye-normal" standard lens although for some their opinion is that this Fujinon model is a bit too wide to be classified easily in that category. Its close focusing ability is good and this caracteristic contribute largely to its versatility. It is not a (head) portrait optic but surely you can work full body view portrait with confidence and proximity of your main subject.

 

The Fujinon XF23mm F2 R WR lens is a useful "interior" lens providing you are not looking for a very wide view (the Fujinon XF16mm F2.8 or XF10-24mm F4 R OIS lenses for example should be more interesting choices in that case). For sure in some narrow contexts you will need to contorsion yourself to embrass the whole subject.

 

Because of its reduced size, this Fujinon XF23mm f2 R WR is a discrete optic and more if it is coupled with a Fujifilm X-E or X-M series camera body. This particular nature will be fully appreciated if you doing street, travel or casual photography in giving you the possibility to be more spontaneous in your activity.

 

DSCF2086.jpg

We cannot escape the (Leica) Summicron lens series analogy even if we are speaking of two very different

 lines of optics especially considering the electronic involvement into the Fujinon X-series.

 

The two control rings of the Fujinon XF23mm F2 R WR allow you to select your aperture and adjust your focus manually if needed or hoped. In the case of the aperture it is handy to be able to better control the deep of field of your subject and also with the focusing ring have the capacity to choose the optimal focus point. The Fujifilm lens hood furnished with the lens is small and none-protuberant (You can leave on almost permanently except if you intend to use optional 43mm screw-in filters).

 

DSCF1207.jpg

 

What about the optical quality image output of the Fujinon XF23mm F2 R WR lens? Suffice to say that I cannot see any noticeable (for me!) between this optic compare to the others Fujifilm XF series lenses. To be more reassured you can consult the numerous technical tests over the web. But in my sens the best way of evaluating a lens for your specific needs is to take pictures with it. It can fit or not your style of photography and respond accordingly to your specific technical way of taking pictures. In some countries Fujifilm offers "try and test" session or even loan programs to do so.

 

So the Fujinon XF23mm F2 R WR lens is it for you or not? That is the big question. Focal fixed lenses are optics that are asking a photographer adaptability to be ensure their complete useful. So your mobility is a key point of success when you intend to select that category of optics.  If you feel better and confortable to work from a fixed point of view and reframe with a variable focal zoom lens that can be a big issue. On the contrary if you are a kind of "active" photo takers this Fujinon XF23mm F2 R WR can be be an creative and easy manageable answer (as for all the others focal fix Fujinon lenses).

 

A few years ago I was discussing with Billy Luong of Fujifilm Canada about the possibility of creating a king of "bridge" new lens between the existing XF27mm F2.8 and the expensive XF23mm F1.4 R model and I have noticed his smiling facial expression at the moment. Less than one year after this conversation the new Fujinon XF23mm F2 R WR was introduced on the market. Additionaly the Fujinon XF 23mm F2 R WR is now offered as a complementary ("kit") lens combined with various camera body models at a very competitive price point. For many photographers it could a very wise and rewarding choice...

 

 

 

DSCF1130.jpg

 

 

 



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Akira

Posted (edited)

Again, I conur with your impression of this optical gem.  I wish the 35mm equivalent would be my favorite...

Edited by Akira

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On 09/03/2019 at 18:41, Akira said:

Again, I conur with your impression of this optical gem.  I wish the 35mm equivalent would be my favorite...

Thank's again for your kind appreciation. Yes for many of us (photographers) the angle of view of the 23mm lens is not an easy one. My big advantage is that I use to learn and work with 35mm lenses (Nikkor & Summicron) into the 135 film format for many years and in doing so I was able to develop a certain anticipation of its specific view. Since I love to take B&W picture it suit my need for a very compact and discrete lens with a moderate maximum aperture.

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I've always been a standard lens shooter since the film days.  So, my favorite on X-E3 is XF 35/2.0.   I have this very 23/2.0 bought along with the body as a kit, but I may be sell it for the up-and-coming XF 16/2.8.

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1 minute ago, Akira said:

I've always been a standard lens shooter since the film days.  So, my favorite on X-E3 is XF 35/2.0.   I have this very 23/2.0 bought along with the body as a kit, but I may be sell it for the up-and-coming XF 16/2.8.

The new XF16mm F2.8 R WR should be a very nice complement of your loved XF 35mm F2 R WR. Its larger angle of view is particularly interesting in close photography such as for urban, social and interior subject (It is part of my list of favored lenses over times). I  am sure you will appreciated the XF 16mm over and over.

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Yes, I will.  A 24mm equivalent has been my fovorite "standard wideangle".  I have used AF-S Nikkor 24/1.8 which is of an excellent optical design, but it was too bulky and protruding in small and/or confined places.  I like the fact that the size of XF 16/2.8 is almost the same as that of XF 35/2.0 with the lens hood attached.

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This lens is what I've seen considering to get as an initial kit if/when I get a fujifilm camera, I'm considering it for street shooting and I have found the 35mm lens on my D800 is my favorite lens for this type of shooting

It does look a bit bigger than what I expected on the image shared in this thread, probably due to perspective and the hood

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4 hours ago, armando_m said:

This lens is what I've seen considering to get as an initial kit if/when I get a fujifilm camera, I'm considering it for street shooting and I have found the 35mm lens on my D800 is my favorite lens for this type of shooting

It does look a bit bigger than what I expected on the image shared in this thread, probably due to perspective and the hood

 

Armando, I can concur with your observation.  The 23/2.0 is 6mm longer than the 35/2.0.  With their accompanying hoods and caps attatched, the difference will be around 1cm (sorry for the dusty image).

 

The spring of the genuine lens cap feels a bit too weak, so I use a third party one seen on the 32/2.0 in the image.  Its thickness is almost the same as that of the genuine one.

_DSF1959.jpg

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Armando, have you considered a Fuji X100f for street photography? As compact and short as it gets. Or an Olympus Pen F plus 17mm f1.8? 

Edited by Luc de Schepper

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If you are after a really pocketable option , you’ll have to look at the 27/2.8.  That gives you something even smaller than the X100F.

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      I've got a long love affair with the original rangefinder cameras (Leica M4-P & M6) and the now digital rangefinder style cameras (Fujifilm X-E2, X-E2S & X-E3). I don't know if it is due of the fact that their viewfinder is located off center (meaning not in the same optical axe of the picture taking lens). But that peculiar camera body design seems to stimulate my creativity and my motivation to brought the camera in places and at moments that I will have a tendency to ignore.
       
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      Window back lightning interior ambiant light exposed
       
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    • By danielm
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      Using the Fujifilm F-X8 as a fill-in flash
       
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      Using the Quick menu (Q) and reprogramming certains function controls can facilitate the handling of the Fujifilm X-E3. Most of the menu option presentations are easy to understand and interact but some functionalities may need more time and essaies to get the habit. There is a lot of autofocusing modes at your disposal that can tailored your shooting workflow. The all-"AUTO" option (lever next to the shutter speed dial) is a good idea for emergency snapshot without disturbing your already programed setting.
       

       
      The electronic viewfinder (EVF) is fine detailed with all the (configurable) information you need and got an auto-rotation presentation very useful for vertical framing. In some specific situations the image on the EVF will be more contrasting making more difficult to evaluate low and highlights. For people who are wearing glasses like me the eye relief is more limit and will ask you to pay more attention to the corner of your framing composition of your subject. The back and none-orientable live screen (LVF) give you a better reviewing rendition of your picture facilitating a deeper image analysis.
       
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      In all the Fujifilm X-E3 is a very convenient camera model that respond correctly to the compact size device but without sacrificing too much better handling compare to the larger DSLR model type.
       
      If you are already an owner of other Fujifilm X-series models you will fully enjoy that the X-E3 is using the same battery packs and external electronic flashes without forgetting that it is part of the same optical lens mount system.
       
       

       
      The Fujifilm X-E3 doesn't have an in-(camera)body-image-stabilization system (IBIS) and will rely on your ability to set and handle the camera to avoid generating blurry from the photographer's movement. Of course you can couple a lens with an optical image stabilization (OIS) that will help you to prevent that phenomena and further permit you to select lower shutter speed in low light situations or simply to get a smaller lens aperture (for increasing the deep of field). As a loosely rule of thumb, no stabilization is available with focal fix lenses (except for the new XF80mm F2.8 OIS Macro and the XF200mm F2 OIS) and it is the contrary with zoom lenses (with some noticeable exceptions such as the XF16-55mm F2.8 Pro). At this day the Fujifilm X-H1 is the only X-Series model equipped with an IBIS.
       
      What I am appreciated the most of the Fujifilm X-E3 is its compactness and its very discrete status in regard of other people ressent when they are facing the camera. It is what can call not only a user-friendly camera but also a subject-friendly photo device. Combined with a short fixe focal or short zoom lens, the X-E3 appears to be part of the family. It is not perceive as an agressive intruder of our life compare to the look with the DSLRs. So the interaction between the photographer and the subject is very different and much more positive.
       

       
      If you like Black & White photography you will adore to work with the Fujifilm X-E3. This lovely camera model offers you a choice of two monochrome reddition, standard Monochrome and Acros, with 3 different filtering variations, Yellow, Red or Green. So you can literally transform the X-E3 as a Monochrome camera without further expensive investment. (This remark is also good for the other Fujifilm models).
       
      Is it sufficient to simply have a good camera device that can deliver not only nice, well exposed and focused pictures but which is also a creative tool fun to use and to bring with you? Sure there will always be more performing camera models now and in the future and that is inevitable in this race for better human crafting. But in the mean time we have not to forget that the most interesting and rewarding think is to do photography.
       
      In a sense the Fujifilm X-E3 fulfill nicely the task of proximity photography essential in close urban situations or in interior contexts. The Fujifilm X-E3 is a compact photo companion that is not only a competent tool but is also an inspired creative device.
       
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