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Impressions: Olympus PEN-F


Andrew L (gryphon1911)

Yes, I know...call me what you will...hypocrite, lucky, stupid, smart....whatever....I have an Olympus PEN-F in my possession.

 

Long story short, some gear trades ended me here.

 

Got a call yesterday from my local camera shop. PEN-F was in. Silver model.

 

Made my way down to the store today on my lunch hour.
Most of the guys that I talked to that handled the demo were impressed with it. They are mostly Sony and Fuji users in the mirrorless sector, but found the PEN-F intriguing.

 

I've only had the thing in my hands for the last 30 minutes, so I'll just address what I can for now and get into more details later.

 

Front Dial:
I've heard from others on the internet that the front dial is sharp and cut into their hands. I'm a big guy with large hands and my fingers do not even come close to the front dial. Like the Nikon Df, the PEN-F needs to be held with a slightly different grip. I'm not going to hold it like an EM1 or a D700.
Yes, the edges of the front dial have some bite to them, but nothing I would consider "sharp". However, that is a subjective matter and each person should decide that for themselves with a hands on.

 

Grip (or lack there of):
The thumb indent on the back seems adequate for me. The front is of a grippy like material. I had no issues holding the camera one handed. It will most likely be an issue with the larger lenses like the PRO lenses or the 75-300/4.8-6.7 II.
My primary intention of using this camera is going to be with primes, so I don't consider that much of an issue.

 

"Rangefinder-esque" Styling:
I've never been one to prefer an "OVF hump" or side set EVF. I just require there to BE an EVF. For those that like built in EVF, this one does not disappoint.

 

LCD Rear Screen AF Point Selection:
One of the things that I envied of some of the Panasonic bodies was having the EVF be used as a way to select the AF point while looking through the EVF. We have that now and it makes for quick selection. After getting used to it, I can see where this would be great for quick changes while doing street photography.

 

That's about all I had time to get to at the moment, and did not have a lens in which to test it outside the camera store.
Aesthetically it is pleasing and I look forward to getting to know it better.

 

More updates to this thread as I am able. I've got a 4 day sunrise to sunset event to shoot starting tomorrow, so it could be a few days before I have anything to report.

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Lucky fish! Enjoy it, Andrew and do keep us informed on what you're using it for. 

 

I must confess to being unmotivated to look much at the specs of this Pen, but are you saying that it has eye tracking in the EVF? That's pretty cool. I used to have an EOS that did that. I think it was the EOS 33 or EOS 30. Can't remember. I was young back then... :) 

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Lucky fish! Enjoy it, Andrew and do keep us informed on what you're using it for. 

 

I must confess to being unmotivated to look much at the specs of this Pen, but are you saying that it has eye tracking in the EVF? That's pretty cool. I used to have an EOS that did that. I think it was the EOS 33 or EOS 30. Can't remember. I was young back then... :)

 

No, not eye tracking, but you can use your finger on the LCD while looking through the EVF to select a focus point.  I believe that there are some models in Panasonic m43 that have done that for some time.

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The Panasonic GX8 has that feature and it can be useful. However, if you are left-eyed, as I am, it is an annoyance. More often than not, your nose touches the rear LCD when using the EVF, setting the focus point where you do not expect it (and usually do not want it).  I have turned off this feature on my GX8 because of that.  I suspect that left-eyed users of the PEN-F will encounter the same problem.

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The Panasonic GX8 has that feature and it can be useful. However, if you are left-eyed, as I am, it is an annoyance. More often than not, your nose touches the rear LCD when using the EVF, setting the focus point where you do not expect it (and usually do not want it).  I have turned off this feature on my GX8 because of that.  I suspect that left-eyed users of the PEN-F will encounter the same problem.

 

That is an excellent point.

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Congrats Andrew! I can already predict the Pen's Monochrome 2 setting will be your favorite ... Looking forward to your impressions and comparison vs the E-M1 and E-M5.

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Ditto from me Andrew.  With the E-M1 MkII alledgedly just around the corner, your comparison will make for very interesting reading.

 

P.S.  I hope that you did NOT get caught by your wife whilst smuggling the new Pen-F into your house.  :D

 

Congrats Andrew! I can already predict the Pen's Monochrome 2 setting will be your favorite ... Looking forward to your impressions and comparison vs the E-M1 and E-M5.

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Ditto from me Andrew.  With the E-M1 MkII alledgedly just around the corner, your comparison will make for very interesting reading.

 

P.S.  I hope that you did NOT get caught by your wife whilst smuggling the new Pen-F into your house.  :D

 

No smuggling necessary, since there was no exchange of monies, only gear for gear!   :D

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as long as the gear you exchanged is not something she owned ... :)

 

lol....no, camera gear only and she is not and has never been interested in taking pictures with anything other than her cell phone.

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At the moment the ability to trade gear at good prices is better than it has been for years - I'm still financing all my new gear acquisitions purely from selling off previously owned gear - even my current outfit's retrieval rates from gear I bought for it seem to be holding value really well, courtesy of both the AU$ slump against the US$ compared with when I bought it originally, and fierce competition amongst manufacturers to sell new gear themselves.

 

For instance my Fujinon 14mm achieved just $170 less than current new price for me (and $120 less than I originally paid for it), which was an extremely favourable "rent" rate over three-plus years of ownership (and that includes the agent's commission on the trade-in sale).

 

Earlier in my career when equipment wasn't in the flux it is now trading-out equipment usually was done at considerable loss and actual dollar input on the replacement gear.

 

My biggest regret is still the absurdly low cost I sold my Hasselblad gear for - two Hasselblad bodies, spare magazines and four lenses didn't even pay for a single Nikon D3 body, whereas the original equipment, even second-hand, had cost considerably more than that single body in the order of more than twice in dollar terms just before the current better exchange value situation developed.

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Are you noticing any differences with the extra 4MP? 

 

I'm about to find out!  :D

 

Quick update.  I just got back from my 4 day event and images/video are downloading.

 

Last minute, I decided to be crazy and brought the all Olympus kit.  EM1, EM5 Mk II, and the PENF.  EM1 and PENF for stills and the EM5 Mk II for video.

 

I've about 2000 images and around 40 video clips to wrestle with.

 

Still shooting performance wise, the PENF seems as capable as the EM5 Mk II, but with the added bonus of the mono mode.  As some have predicted, the Mono2 is a dandy of a setting for me.

 

Experiments with that mode will be shared once I can get into them.  

 

The power switch was a lot nicer to deal with than I thought.  Easy to flick on with the left hand, just slightly beating out the EM1/EM5Mk iI power lever.

 

I had the Oly 17/1.8 on the PENF for the whole weekend.

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The mono mode 2 stuff is a bit too contrasty and the grain is too big for my personal taste. I would rather push up the ISO to 12800 to get that natural Olympus "grain" and then apply a B&W filter in post. This is obviously just a taste variance from me though. Others may like this filter. 

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If I remember correctly there are three "digital grain" levels Low/Medium/High which can be selected with the Monochrome 2 setting. I don't know which setting was used by Andrew for these images but I suspect High. Great series Andrew!

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If I remember correctly there are three "digital grain" levels Low/Medium/High which can be selected with the Monochrome 2 setting. I don't know which setting was used by Andrew for these images but I suspect High. Great series Andrew!

 

Might have been.  Not sure what the default was.   I was mucking about with it and then just started shooting away.  Lots of options, so I will have some experimentation to do.

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So, I looked at the mono mode 2 settings.  It is +-6 on the tone curve and the film grain was set to high (there are 4 settings off, low, medium, high).  I also had the green filter on.

 

Not sure if film grain high is the default on mode 2, but I do intend to turn it down to low for the time being.  

 

I suspect that in the future, +-6 on the tone curve might be too aggressive, even for me.  I think I'll be more happy in the +-3 or 4 area and perhaps pop a little of the mid tones as well.

 

I'm even considering setting up the crop to be 1:1, perhaps do that in mode 1 or mode 3.

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The next GR for street?

Intense scene. Well shown.

 

Thank you.

 

It very well could be.  I'm thinking that I am going to shoot monochrome mode on this camera with RAW+JPG, so I can get the best of all worlds.

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More observations:

 

  • I like the inclusion of the screw in wireless shutter release.  I can use the same on I got for my Nikon Df on this guy!
  • There is a ring around the video record button.  This will help from accidental recording of video.
  • I'm starting to like the dedicated magnification button.  When in shooting mode, it zooms in on the live view to check focus and what not.  In playback mode it zooms in to your predefined zoom setting.
  • I just found the H+ Silent mode, which allows for 20fps continuous shooting.  I'll need to look into this more and see what we are dealing with.   Could be interesting depending on it's limitations.

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Hi Andrew, my Pen F arrives on next week.  Primarily as 'my Olympus' while my wife and son are shooting their EM1s.  I foresee some weekend trips with just the Olys.  I'll probably use the 17 1.8, 25 1.4 and 45 1.8 quite a bit and the silent shooting was one of the plus points.   I'll obviously play with the B&W settings.  I bought a new , secondhand. My wife has been using it with the small 14-42 EZ while she is in the UK.  Unfortunately she likes it :( .   I'll probably grab it first out of the suitcases instead of some of the new VM lenses for the a7Rii.

Look forward to more of your images and settings for B&W.

All the best,

Tom

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      Shot at ISO 6400, you can see the grain in the background, plus there has been a general loss of colour saturation.
       

      But then in good light you'll get rewarded.
       

      Gorgeous colours from the Olympus. No adjustments in post.
       
       
      Cool Things I Liked
       
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      A Couple Of Nit Picks
       
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      Conclusion
       
      I wish that I could have kept the camera for just a little bit longer as there are many other areas I would have liked to explore its performance in, especially my daily bread and butter work of property and product photography. Alas, they are in short supply around here so it had to go back post haste.
       
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      For me personally I would love one, after all I got more keepers on this most recent safari than in all the 10 years of safaris preceding it, but… there is the matter of that not-so-insignificant $3000 price tag to consider. With the recent firmware upgrade to the E-M1 Mk II now bringing its feature set closer to that of the X, it is going to be much harder for Olympus to pitch this camera at the wider market and existing MFT users with that price tag. If it were closer to $2000 I might be a lot more interested in buying one.
       
      My final advice? If you want the very best camera that MFT can currently offer you for stability, video features, ruggedness, crazy feature set and customisability, get the E-M1X. If you are expecting par performance with a 35mm pro camera for low light, rather save $1500, wait for the sensor technology to improve and get the E-M1 Mk II for now.

      View full article
    • By Dallas
      Olympus South Africa very kindly loaned me an E-M1X for my recent Photo Safari to Sabi Sabi and while I only had a few days before leaving on the trip to become accustomed to the camera, I did manage to produce some great images (by my standards) while using it in conjunction with the Olympus 300mm f/4.0 PRO.
       
      The first thing that struck me about this camera when taking it out of the box is the sheer size of it. It is huge. If you’ve been using Micro Four Thirds bodies to get away from the bulk of traditional DSLR’s then you will not want this camera. I was quite shocked at its size initially, especially when compared to my gripped E-M1 (original) which I have been shooting since 2014. The Nikon D5 is only 15mm bigger in terms of depth, height and width all around, so for a small sensor camera to be so close in size to a flagship 35mm camera begs some serious questioning of the makers.
       

      Side-by-side view of the E-M1X and the original E-M1 with its grip
       
      So why did Olympus make this camera so big? When you begin handling it the answer falls into place. It’s designed for sports and action photographers who are used to the speed and heft of cameras like the Nikon D5 and Canon EOS 1D series. That’s the user market Olympus are targeting with this machine. It feels substantial in the hands and the ergonomics are such that if you’re used to a bigger camera, moving across to the E-M1X will be much easier for you to adapt to, especially since the Olympus is so highly customisable that you could easily set it up to pretty much emulate the ergonomics of your big DSLR. Well, maybe not the Canons which often require simultaneous button presses to activate certain things, but most certainly it would be easy for a Nikon shooter to make the change.
       

      Not much in it, dimension wise, is there? 
       
      So we now have a giant MFT camera that feels like a Nikon D5. Why didn’t they do what Panasonic has done and make a bigger sensor too? Good question. Why stick with MFT sensors if you want to attract the sports and wildlife shooters of the world? This is where the concept of MFT begins to make sense. The main advantage to be had when shooting this small format as opposed to 35mm is that MFT lenses are comparatively diminutive. For example, on my safari I packed in the Olympus 300/4.0 PRO as well as my older 50-200/2.8-3.5 SWD and a third un-gripped body with the Olympus 12-100/4.0 PRO. I also had the Pan/Leica 8-18mm lens in my bag because I wanted to make some photos of the lodge while I was there. Those items I took as a carry on in the ThinkTank Airport Advantage roller and while the bag was not exactly light once my laptop and other peripherals were in it (about 15kg total), had I wanted a similar focal range shooting a 35mm system, I would have had to pack a 600mm f/4.0, 200-400mm f/4.0 and a regular camera with professional wide angle and ultra-zoom lenses. There is no way you could take that as a carry on with 35mm, so you’d have to bring a hard case and pay for the extra baggage. You then also have the added stress of wondering if your precious gear will make it to its destination. Having been in this exact situation many times before moving across to MFT from Nikon 35mm I know exactly what the challenges of travelling with large lenses and heavy gear are.
       

      This is the gear I took on the safari in the ThinkTank Airport Advantage.
       
      Conversely travelling with MFT is easy. Even with the giant E-M1X body, the space and weight savings of the incredible Olympus PRO and Panasonic/Leica lenses is a Godsend. Also consider the not-so-insignificant overhead of having to bring along a support system for your big 35mm glass because I doubt you’re going to want to hand hold a 600/4.0 lens if you’re going on a photography trip where such a lens is wanted. You’ll also need to pack a monopod and probably a gimbal head too. MFT systems like Olympus don’t require any support other than your hand, even when shooting the 300mm f/4 PRO. The IBIS and lens IS combine incredibly well.
       
      Given its considerable girth, for the E-M1X to make sense as a photographic tool that is intended to win over 35mm users it also needs to have some other things going for it. It will need to have seriously fast and accurate auto-focus, plus it will need to offer decent image quality in low light. This is where things get interesting. Read on!
       
       
      Auto Focus
       
      I’m not a back-button focus photographer. I can understand the principle behind this method and I have tried it a few times, but I have been using single point AF-S for so long that trying to change that deeply ingrained behaviour is really hard for me. I’ve also never set up any of the cameras I have ever owned to work in AF-C mode with any degree of success, so I tend to stab at the shutter button rapidly to keep slow moving things in focus (it’s very rarely that I will find myself photographing fast moving subjects). This method has worked for me for quite a long time now. So when I started reading the autofocus section in the E-M1X manual (which itself is a gargantuan 680-odd pages long in just English alone!) I was staggered by the array of setup options for the AF system of the E-M1X. I simply didn’t have enough time before my safari to comprehend all the options it offers, let alone try them out in practical situations.
       
      As mentioned I always set up AF to use a single point in AF-S mode and I recompose once I see the green dot. I don’t use the grouped points, so for me learning something as sophisticated as the AF system on the E-M1X is going to require a specific set of applications, which currently I don’t have in my work. For people who shoot birds in flight, aviation, motorsport and fast action sports such as soccer, ice-hockey and the like, this is probably going to be a winner, especially since they have built in subject recognition for certain things like cars, trains and planes. Apparently these subjects will be added to in firmware as they build up better data on new ones. I can imagine that leopard detection might be a thing in the future.
       
      One feature that I didn’t try but thought was interesting is the Len Focus Range. This setup allows you to define the distances that the AF system should work in. It basically allows you to tell the camera not to focus on objects that are a certain distance away from you. For example, if you are shooting a sport like boxing or ice hockey, you could set this up to avoid focusing on the ropes and/or plexiglass between you and what you’re trying to shoot. Some lenses will have these limits built in, but with the E-M1X you can specify exactly how many metres you want to work within.
       
      Another thing I liked about the X is that you can assign the Home position for the single AF point to be in a different position when shooting in the portrait orientation. This is really handy for events when I find myself having to shift the AF point between shooting people at a podium and then switching to the audience in landscape orientation. Very nice feature.
       
      What I can tell you about the AF system as I used it, is that it’s reassuringly lightning quick and accurate for the wildlife subjects I was photographing. There’s no hunting unless you miss a contrast point, like all cameras I have ever tried. Focus is almost instantaneous, even when subjects are not so close.
       
      In summary, I don’t think that anybody coming from 35mm will be disappointed with the AF capability of the E-M1X. If anything they might be pleasantly surprised given the sheer array of options available to control how the system works.
       
       

      Wildebeest in the misty morning, no problem with auto focus here in spite of the grass
       

      Using my "repeated stabbing" AF technique I managed to get a moderately sharp image, but I reckon had I used the camera's AF-S mode here the shot would have been better. 
       
       
      Speed
       
      One of the biggest advances Olympus made with this camera is the CPU speed. This is a very fast camera in terms of how quickly it processes and reads off data from the sensor. It’s so fast that you can do sensor shift high resolution images handheld. I didn’t really try this out properly, plus Lightroom can’t read the resulting .ORI files so the handful of shots I did take with this mode active, I have to process in Olympus Workspace, which I am completely new to. Sorry! As such I can’t formulate an opinion right now on how useful it is based on such a small sample of images, but what I can say is that on stationary subjects I think it can work quite well. I’d love to try it out in studio doing product photography, but I think there might be some issues syncing it with studio strobes.
       
      Getting back to the intended sports user of this camera, there is the not-so-insignificant Pro Capture mode to consider as a lure for the photographers who want to simplify their lives and get great action every time. Basically with the mode active the camera writes continuously to the buffer while you are holding the shutter button halfway down. As soon as your critical capture moment arrives you trip the shutter and the camera will record whatever it has currently in the buffer to the card(s). This is kind of like shooting fish in a barrel really, especially if you have the patience to sit with your finger on the trigger waiting for a bird to take flight. You can’t miss the shot. Unless you’re like me and you get tired of waiting and the bird chuckles at you as you put down the camera just before it flies away.
       

      I'll settle for stationary birds
       
      On the subject of Pro Capture, this mode is set by changing the drive mode in Super Control Panel (SCP). However, the thing is you may (like me) forget to switch this back to a regular drive mode after failing to record the wretched lilac breasted roller taking off, and then at your next sighting you will end up with dozens of images of a stationary buffalo. Or worse still, you’ll be wanting to shoot a sequence of something happening, but after you accidentally trigger Pro Capture you will have to wait for the camera to write its buffer onto your card. If you have a not-so-fast card like me this could be a few seconds, followed by several more trying to remember where to switch off the Pro Capture mode. Ideally I’d love to be able to have Pro Capture activate by holding down a custom function button together with the shutter button. A Fn button on the PRO lenses would be an ideal setup for this pretty cool feature. While I had the E-M1X I couldn’t see a way of being able to assign that particular feature to any of the custom function buttons, so hopefully Olympus’ engineers will read this criticism and work out a way of doing it in future firmware upgrades. I did manage to set up a quick switch between normal and Pro Capture by using the Custom Modes, but that requires remembering to change modes between sightings. Duh.
       
      Regarding Custom Modes there are four of these that are assignable to the PASM dial, so if your memory is better than mine you can set up each custom mode for a different type of shooting simply by changing the mode. However, you’re going to have to have a Gary Kasparov like mind because the sheer number of custom settings on a camera like the E-M1X is mind-boggling. There are pages and pages and more pages of custom settings in the menus and if you’re not used to the way Olympus does menus, you’re either going to go stir crazy or require a lot of patience (and batteries) to get the better of it all. It’s not insurmountable though and experienced Olympus users will probably be able to set up their custom modes quite easily after a few weeks with the camera in the field.
       
      One thing I really liked about the X is that there is a Custom Menu area where you can save up to 5 pages of menu items that you regularly need to access. Storing an item in there is as simple as pressing the Record video button while the item is selected in the menu. That’s a very big plus for me and goes a long way towards personalising the Olympus menu system.
       
       
      Stabilisation
       
      The IBIS and lens IS combine in the E-M1X to create an extraordinary amount of stabilisation. I was using the 300/4.0 PRO on this body almost exclusively for the duration of our 7 days in Sabi Sabi and occasionally I would shoot birds sitting on nearby branches. When I do my focus and recompose technique the subject does what I can only describe as a “moonwalk” glide from one part of the frame to the other. There is absolutely no camera shake at all handheld, which when you consider that you are using a 4.1˚ angle of view is bonkers! Olympus claim a 6 stop advantage in handheld photography and I have no doubt that this is true. Given my sloppy technique this is yet another Godsend to make my images look much better than they should.
       

       

      Stabilisation with long lenses is incredible.
       
       
      Battery
       
      Battery life was pretty decent. The camera comes with two batteries and typically I only exhausted about 50% of the one each day. Granted I don’t shoot as much as everybody else. On this safari I took a total of 1726 images with the E-M1X, averaging 288 per day. So, assuming I were to exhaust both batteries in a day I would be able to shoot over 1000 frames before having to recharge them.
       
      However, it is also possible to charge the camera via USB-C, so if you did get trigger happy enough to shoot that many in a day on safari, you could recharge from a  power bank between sightings. Or just buy more batteries.
       

       
       
      Low Light
       
      Right, this is where the rubber hits the road as far as getting 35mm power-users interested in switching to MFT. I’ll say it at the outset, I was disappointed in the low light performance of the E-M1X sensor.
       
      For starters, it doesn’t seem possible to be able to set Auto-ISO to go above 6400 on the X. None of the expanded ranges are available when using the auto mode while shooting RAW, which I think is just silly. This is how I shoot these days. I always use Auto-ISO. On the original E-M1 I sometimes let this go as high as 12800 and while the images may appear grainy they have a certain film-like charm to them. You can’t do that on the X. You have to set ISO 12800 or above manually.
       
      As far as graininess goes, 6400 on the E-M1X is very grainy and there is also a major loss of colour fidelity. To be honest I was expecting much better performance from the sensor at high ISO, so for me this is a deal breaker. Since the camera is intended to compete against the likes of the Nikon D5 and Canon EOS 1D series (where higher ISO is a forte), it sadly falls well short in this area.
       
      Having said that, I think that if you buy this camera and invest some time in learning how to deal with the grain and colour issues in post production you could probably get some very good results.
       

      Shot at ISO 6400, you can see the grain in the background, plus there has been a general loss of colour saturation.
       

      But then in good light you'll get rewarded.
       

      Gorgeous colours from the Olympus. No adjustments in post.
       
       
      Cool Things I Liked
       
      The sound of the mechanical shutter is really soft. It’s a lot quieter than my old E-M1 and if you are in the business of shooting in quiet places (churches, meetings, etc) you may not even have to switch to electronic shutter and risk the rolling effects thereof. It’s nice and quiet.
       
      I really appreciated the built in GPS and weather sensor on the E-M1X. This camera will tell you what the barometric pressure, altitude and ambient temperature was on every shot you take. I wish Lightroom would pick up those EXIF fields, alas you have to use the Olympus Workspace software to read them.
       
       
      A Couple Of Nit Picks
       
      There are a couple of things that I didn’t like, most notably there is no loop for a grip strap in the base of the camera so you would have to put a plate onto there to accommodate one (I used the Peak Design Clutch with its little plate). That seems like a daft omission to me because the moment you have to put a plate on the grip you lose the comfort of shooting with it in portrait mode.
       
      I was also a bit disappointed with the EVF. The refresh rate and colour was all good, but it just seemed to lack a bit of bite. The EVF on my old original E-M1 seems sharper to my eyes, which is a little weird. I did try adjusting the diopter a few times, but it didn’t seem to improve things. It could have been a contrast setting in the menus that I missed?
       
      The one thing I really don’t like (and I have expressed my dislike of this before) is the flip out LCD screen. This is something video producers want, but as a stills photographer I truly don’t want this as it’s a very weak point of the camera just waiting to snap off in the right circumstances. I much prefer the tilting screen of the original OM-D’s. Olympus should make it an option for this kind of premium camera: which type of LCD screen would you prefer, Mr. Customer?
       
       
      Conclusion
       
      I wish that I could have kept the camera for just a little bit longer as there are many other areas I would have liked to explore its performance in, especially my daily bread and butter work of property and product photography. Alas, they are in short supply around here so it had to go back post haste.
       
      My overall impression is that it is quite an impressive machine. It offers the photographer a lot of very cool features, excellent customisability and ergonomics. It is a specialist camera, however, and as such I think that the intended market for it is going to be a hard nut for Olympus to crack, especially given its lack of high ISO performance, which is something the sports photographers demand.
       
      If you’re a day shooter or you shoot action in well lit arenas then the advances this machine brings in terms of auto-focus and customisability, plus the sheer plethora of outstanding MFT lenses available for the system makes it a very attractive option, especially for those who travel a lot for photography. You get the ruggedness, heft and weather proofing of a pro body and the lightness and compactness of much smaller lenses.
       
      For me personally I would love one, after all I got more keepers on this most recent safari than in all the 10 years of safaris preceding it, but… there is the matter of that not-so-insignificant $3000 price tag to consider. With the recent firmware upgrade to the E-M1 Mk II now bringing its feature set closer to that of the X, it is going to be much harder for Olympus to pitch this camera at the wider market and existing MFT users with that price tag. If it were closer to $2000 I might be a lot more interested in buying one.
       
      My final advice? If you want the very best camera that MFT can currently offer you for stability, video features, ruggedness, crazy feature set and customisability, get the E-M1X. If you are expecting par performance with a 35mm pro camera for low light, rather save $1500, wait for the sensor technology to improve and get the E-M1 Mk II for now.
    • By Dallas
      I just got word that Olympus has updated the firmware in the E-M1 Mk II and this sees it now getting a lot more of the features that the E-M1X has, including improved AF, expanded ISO range (down to ISO 64) as well as some other stuff that I didn't even know these cameras could do. Here's Robin Wong to run through some of the details.  
       
       
       
    • By Dallas
      Note: This thread will contain a series of entries about the Fotozones Wildlife Safari 2019, including images, impressions of the gear I used and anecdotes about the safari itself. I wrote some of it while on safari, but had to stop as my laptop just wasn't up to the task of proper editing, so I am now doing the editing at home and will add my favourite shots as I go. Please feel free to ask questions about the trip and the gear in this thread. 
       
      I've been in Johannesburg the past two days welcoming our 2019 Safarians, including @GrahamWelland, @CarreraS and @rbeesonjr. Yesterday we rented a minivan and drove about 90 minutes away from the airport hotel to the Kevin Richardson Wildlife Sanctuary. This is the home of "The Lion Whisperer" (Kevin) who campaigns tirelessly against the practise of captive lion breeding and canned lion hunting. There's a lot behind the story of how he came to have all these lions in his care, as well as 4 black leopards and a small group of spotted and striped hyenas, but I won't get into that right now. 
       
      I took along the Olympus E-M1X and 12-100/4 as well as the Olympus 300/4. So far, what I am seeing I am liking. A lot. That 300mm lens is just phenomenal. So much reach and so sharp, yet in such a small package. If you're a birder using MFT or you need a lens for distant wildlife as well as some sports, this is for you. The image below was shot from behind a chainlink fence. 
       

       
      This particular lion was quite menacing and twice he charged the fence towards us, which then set off a roaring frenzy between him, his brother and a group of white lions in the next enclosure who thought he was charging them. It was incredible to hear!
       
      Today we head off on our flight to Skukuza and the first official game drive of the 2019 safari. We are all very excited to get there!
    • By Dallas
      Olympus South Africa has very kindly loaned me a new Olympus E-M1X for my safari starting next Monday, along with a 300mm f/4.0 PRO. I have to say ... this camera is way bigger than I thought it would be. It hearkens me back to my days of running around with a Nikon D2H. This is it next to my original E-M1. You can't really tell the depth of the grip from this image, but rest assured, it's considerably deeper than my camera. 
       
      I will be writing a field diary during the course of the safari and posting it here on Fotozones, so if you are thinking of getting an E-M1X I will impart all my feelings and impressions on the machine as I use it on safari.  
       

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